Buffy Season Six
Jun. 4th, 2008 03:21 pmI had major internet problems, and Comcast was just out to replace the "modem". So naturally, the first thing I do is catch up on LJ... I had been taking notes on Buffy The Vampire, Season Six, so I can post this entry quickly, if somewhat lacking in coherency.
Season 6 destroys the Buffyverse. The writers and producers shredded their legacy. This season's theme: Willow's downfall.
Where is the Council? In previous seasons, a Slayer pops up when Buffy is barely dead. Twice. Yet monsters are free to roam around smack dab on top of the Hellmouth for four months. "The council haven't a clue. About much of anything, really." says Giles. Like, duh. The underlying structure of the series premise dissolves with a whimper.
I don't believe that they were going to bring Buffy back and didn't think to dig her up.
In the Season wrap-up (an extra on the last DVD), they producers and writers insist the season was about "growing up" and taking responsibility. More, it seems that the season was about making mistakes and having other people pay for them. Willow, Xander and Jonathan all try things with good but selfish intentions and wind up messing with the lives of those they love.
"Once More With Feeling" is a great musical and a lousy episode. Sort of a sequel to "Hush", says Whedon in the commentary, where people could sing what they couldn't say. But the townsfolk were just singing of traffic tickets and laundry. No soap opera revelations there. and... Why does anyone live in Sunnydale? Great music, lyrics and dancing, so I can see why fans like the show. It failed the consistency test. A dumb monster, and poor motivation by Xander in not fessing up earlier. Once again, Buffy is really Gilligan trying to get off the island.
And even Whedon complains about the lighting, in the commentary to the musical episode. I respect what they accomplish with a tiny budget but the poor production values sometimes get in the way.
"Normal Again" was done better on Deep Space 9.
"Entropy" is the best episode in terms of believability. Breakups and new lusts take over. It's a very story arc-dependent episode, and mostly works in advancing the characters. Of course, they're mainly in retreat...
Tara gets her name in the main credits under the music... for one episode... Whedon keeps saying that the show works because the viewers can identify with the characters and it has an emotional base. The Willow/Tara romance is the only pairing that seemed real. Naturally, they kill off Tara in a remarkably undramatic way, and she lies crumpled on the floor for days.
(And why didn't any of the vamps ever think to shoot the Slayer before? Haven't they talked to
joelrosenberg?)
In Season Six, Buffy gets all Marvel Comics on us. Friend fight friends, enemies switch sides. So much for character-driven tv.
I'll probably watch Season Seven, though I haven't added it to my Netflix queue as yet, but I've decided to skip Angel.
Season 6 destroys the Buffyverse. The writers and producers shredded their legacy. This season's theme: Willow's downfall.
Where is the Council? In previous seasons, a Slayer pops up when Buffy is barely dead. Twice. Yet monsters are free to roam around smack dab on top of the Hellmouth for four months. "The council haven't a clue. About much of anything, really." says Giles. Like, duh. The underlying structure of the series premise dissolves with a whimper.
I don't believe that they were going to bring Buffy back and didn't think to dig her up.
In the Season wrap-up (an extra on the last DVD), they producers and writers insist the season was about "growing up" and taking responsibility. More, it seems that the season was about making mistakes and having other people pay for them. Willow, Xander and Jonathan all try things with good but selfish intentions and wind up messing with the lives of those they love.
"Once More With Feeling" is a great musical and a lousy episode. Sort of a sequel to "Hush", says Whedon in the commentary, where people could sing what they couldn't say. But the townsfolk were just singing of traffic tickets and laundry. No soap opera revelations there. and... Why does anyone live in Sunnydale? Great music, lyrics and dancing, so I can see why fans like the show. It failed the consistency test. A dumb monster, and poor motivation by Xander in not fessing up earlier. Once again, Buffy is really Gilligan trying to get off the island.
And even Whedon complains about the lighting, in the commentary to the musical episode. I respect what they accomplish with a tiny budget but the poor production values sometimes get in the way.
"Normal Again" was done better on Deep Space 9.
"Entropy" is the best episode in terms of believability. Breakups and new lusts take over. It's a very story arc-dependent episode, and mostly works in advancing the characters. Of course, they're mainly in retreat...
Tara gets her name in the main credits under the music... for one episode... Whedon keeps saying that the show works because the viewers can identify with the characters and it has an emotional base. The Willow/Tara romance is the only pairing that seemed real. Naturally, they kill off Tara in a remarkably undramatic way, and she lies crumpled on the floor for days.
(And why didn't any of the vamps ever think to shoot the Slayer before? Haven't they talked to
In Season Six, Buffy gets all Marvel Comics on us. Friend fight friends, enemies switch sides. So much for character-driven tv.
I'll probably watch Season Seven, though I haven't added it to my Netflix queue as yet, but I've decided to skip Angel.
(no subject)
Date: 2008-06-04 08:44 pm (UTC)The problem that probably bugged me most for later seasons of Buffy was the continuing existence of Spike. While I enjoyed the character and actor, I found it sad that the showrunners fell so in love with him that they kept him around even though it made no sense to the story. Lots of shows do this-- keep a popular character even when it damages the overall story.
I've forgotten most of season seven already, I recall it was a disappointment, but don't recall much detail by now. Maybe someday I'll revisit the whole series again.
I wouldn't skip Angel as when it was good, it was a better show than Buffy. Never thought that'd be the case as I didn't care for the character of Angel or for David Boreanaz when he first appeared on Buffy and was never that big of a fan period. Angel is a very different show or a couple of different shows as it changes direction/tone a couple of times during it's run. Way more interesting as a show, IMHO.
(no subject)
Date: 2008-06-04 08:46 pm (UTC)1) A new slayer is activated
2) The old watcher reports the old slayer dead
or
3) The old watcher goes missing (which cannot be an infrequent occurrence)
Since Buffy had already "triggered" Faith, there was no new slayer triggered and Giles may well have chosen to not report the event, not wanting more interference in Sunnydale, there is every reason for the Council to not know and have it be perfectly canon.
----
I enjoyed the musical episode, though I do feel that it was used to forcibly advance the arc. It could have been better plot-wise, but it would have suffered creatively by doing so. I accept it for what it is.
----
Other than that, we're generally in agreement. For what it's worth, Season Seven is worse. Do not expect to enjoy it. There are good bits here and there, but all in all the series should have ended with 5.
(no subject)
Date: 2008-06-04 08:50 pm (UTC)(no subject)
Date: 2008-06-04 08:51 pm (UTC)I own all the seasons of Angel, but I couldn't even get through the box set of season 5, the time it aired was enough.
IMO, Angel fell apart even worse than Buffy did at the end.
(Early Angel, though, was fantastic.)
(no subject)
Date: 2008-06-04 09:00 pm (UTC)I do wish there was a way to see the alternate universe Angel where Charisma Carpenter didn't get pregnant in real life and derail things in a weird way (or else where they had a better plan or learned sooner or . . . something.) But I won't say more so as not to spoil anything for anyone who hasn't yet watched Angel.
(no subject)
Date: 2008-06-04 09:13 pm (UTC)And I don't believe Giles didn't report to the Council (who was back to paying his salary) for four months. He tended to be good about that sort of thing. Besides, wouldn't they know when the Hellmouth was spewing baddies?
Why does anyone live in Sunnydale? Are the taxes low?
(no subject)
Date: 2008-06-04 09:14 pm (UTC)(no subject)
Date: 2008-06-04 09:14 pm (UTC)(no subject)
Date: 2008-06-04 09:19 pm (UTC)(no subject)
Date: 2008-06-04 09:20 pm (UTC)(no subject)
Date: 2008-06-04 09:55 pm (UTC)(no subject)
Date: 2008-06-04 10:12 pm (UTC)I'm still trying to figure out why people live in Detroit. :)
Maybe they can't afford to move?
(no subject)
Date: 2008-06-04 10:56 pm (UTC)As for the lack of the Council... I do wish they'd explained that entire situation a little better. I wonder if they couldn't bring Eliza back for money reasons or something. It would have made alot more sense to break Faith out of jail (I'm sure the Council has the resources to do so legally ).
Don't get me started on "Normal Again". The retconning of Buffy having been in the physch ward? It was just ridiculous. There's no way anyone could see her mother's reaction during Becoming and think she'd ever heard of slayers and watchers before. And the bit at the end where they hint that that reality might be the real one? Arg.
(no subject)
Date: 2008-06-04 11:09 pm (UTC)> Why does anyone live in Sunnydale? Are the taxes low?
Sunnydale Syndrome (http://en.wikipedia.org/wiki/Sunnydale_Syndrome#Sunnydale_Syndrome).
Sunnydale occupies the space of what is in our universe Santa Barbara, with all the geographic desirables that Santa Barbara has, but with added gruesome deaths. Plus Mayor Wilkins actively recruited new residents, and was an extraordinary civic booster in order to keep up the population (no doubt he also used magick to influence people to move in).
(no subject)
Date: 2008-06-04 11:14 pm (UTC)I've a friend locally whose personal Buffyverse ends with the end of season five (the last year on The WB) and Buffy's death. He can't stand the two UPN seasons and to him they're non-canonical. Whatever gets you through the night....
(no subject)
Date: 2008-06-04 11:24 pm (UTC)Geller isn't a particularly good actress, but she pouts really well, and waking from the dead after being in heaven will generate a really fine one.
(no subject)
Date: 2008-06-04 11:28 pm (UTC)(no subject)
Date: 2008-06-04 11:30 pm (UTC)> Since Buffy had already "triggered" Faith,
> there was no new slayer triggered....
Buffy's death at the end of season one created Kendra as a slayer. It was Kendra's death that created Faith.
I think it was Joss Whedon himself who stated that the death of a slayer only created a subsequent slayer once: Buffy's second death at the end of season five did not create another subsequent slayer.
I have gathered that two slayers alive at the same time (Buffy/Kendra or Buffy/Faith) is an extraordinary event, possibly unprecedented prior to Buffy's first resurrection.
Without spoiling, since DavE hasn't seen it yet, I just want to say that what Willow does in the season seven finale is literally breathtaking (at least it was for me), one of the most empowering occurrences (both figuratively and literally in its own universe) I have ever seen in my life.
(no subject)
Date: 2008-06-04 11:39 pm (UTC)Tsk, tsk at me. There should be a comma in that last parenthetical clause ("both figuratively, and literally in its own universe"), as I was speaking about two separate universes, ours and Buffy's, respectively.
(no subject)
Date: 2008-06-05 01:07 am (UTC)(no subject)
Date: 2008-06-05 01:09 am (UTC)Geller isn't a particularly good actress,
We'll just have to agree to disagree on that one.
(no subject)
Date: 2008-06-05 11:22 am (UTC)(no subject)
Date: 2008-06-05 11:37 am (UTC)(no subject)
Date: 2008-06-05 02:12 pm (UTC)Similarly, I loved that the show and the characters grew up and changed. I would have hated it if Buffy had stayed stuck in the high school/college storyline mode throughout the show's whole run. It was already getting repetitive and stale in season 4, which felt like a rehash of stuff that had gone before. I loved the fact that everyone was allowed to move beyond that.
I loved that in season six the characters were allowed to make mistakes, including major ones, so that you wouldn't always necessarily see the protagonists as heroes. One of the things that bothers me is when shows or books get so concerned about making their characters easy to identify with that they never allow them to screw up or show a darker side, or experience real repercussions for the mistakes that they make. CSI, House, and many other current shows are prime offenders of this. Buffy never crossed that line, and allowed you to occasionally hate its protagonists for what they were doing to themselves and others. But they never stopped being interesting.
Plus, the consequences for mistakes were always badass. Buffy being pulled out of heaven was a fucking brilliant idea. And the twists upon twists in the last episode. As for Xander and Anya getting married: Happy couples make for bad TV, which is why Tara unfortunately had to die. However, you should know that in my Buffyverse, Spike getting his soul back was a mistake (i.e. he went to the demon to get the chip deactivated and ended up getting more than he bargained for because of a badly worded wish).
The criticisms you make are valid, but many of them are such that if they were addressed within the show, Buffy would lose what made it Buffy. For example, if vampires shot the Slayer, it would make for a gritty style that is totally antithetical to the four-color comic book style of world. I think what it comes down to is that you didn't respond to the Buffy concept in the same way that I did. In order to like the concept, you have to accept certain ridiculous premises and suspend your disbelief. If you're unwilling to do that, you're never going to like the show - and that, too, is a totally reasonable difference of opinion.
For the record, though, I hated all of season 7 except for one or two episodes.
(no subject)
Date: 2008-06-05 02:25 pm (UTC)* Buffy - sorta dead, not playing with the council anyway due to the events of Glory in season five.
* Faith - in prison
Until Faith dies, the magic "slayer triggering process" will not create a new slayer. So, at the time of season six, the watchers do not have an active slayer at their disposal. (Though I have to wonder why they didn't just kill Faith and activate a new slayer. It seems that a high powered rifle with a sniper's scope would solve a great many of the problems that the later seasons were hinged upon... but that would make for bad TV.)
(no subject)
Date: 2008-06-05 02:58 pm (UTC)(no subject)
Date: 2008-06-05 04:12 pm (UTC)So... either Slayers are great protectors who only come along "once in a generation" to save the day or guard a hellmouth, or the Council is set up to make sure that there's a continuous supply of vampire hunters. Neither explains their inaction between seasons 5 & 6. The demons (not even just the vamps) run amok in Sunnydale when the robot is revealed, so even they more clueful than the Council.
Though I then have to reframe my question: Why do the undead still live in Sunnydale? Maybe that's where they emerged, but they can always take a bus.
(no subject)
Date: 2008-06-05 04:16 pm (UTC)(no subject)
Date: 2008-06-05 04:16 pm (UTC)The council does not make the slayers, they're just opportunists that "guide" the slayer when she emerges from a set of potential slayers.
This is explained in better detail in season 7 and then completely screwed with in "Fray", the far-future graphic novel written by Joss.
(no subject)
Date: 2008-06-05 04:17 pm (UTC)For what it's worth...
Date: 2008-06-06 08:32 am (UTC)