barondave: (Default)
[personal profile] barondave
(This was going to one of 25 More Things About Me, but it's too big a topic for one bullet point.)

I like watching people have fun. This colors a lot of my views, from the filk/Mpls music debate to why I get along with kids so well to what kind of comedy I like to see or write. Heck, it even influences my reading: If I can see, in my mind's eye, the writer giggling as they type, it's a major plus.

The music debate always comes down, it seems to me, to who is supposed to have fun: The performer or the audience. Ideally both, of course, but sometimes you have to chose. For any professional, the answer is clear cut: The audience. For most of my fannish friends who are musicians, the major advantage of fandom is that they can play what they like to people who can appreciate their skill and taste. For most of my fannish friends who don't play but like to listen, the major advantage of fandom is that they can hear people they know use their skills to best advantage.

One of my favorite things about fandom is that the bar is set simultaneously very low and very high. I don't mind listening to musicians who aren't that good, whether they're hacking away at a filk song or struggling with a note at karaoke. But only if they're having fun. The worst thing you can do, if I'm judging karaoke, is say, "ugh, I was really bad." Yeah, maybe, but so what. That's not the point These are people I know well enough to tell, and I'm happy when they're happy. So sometimes I don't mind hanging around that range of skill. Sometimes. The bar for "talent" is low.

Meanwhile, I also greatly appreciate skill and dedication. To hear someone finally get the chording right after years of muddling through is to hear someone happy. Over and above the song (and song selection is itself an aspect of having fun) is the performance. Musicians/actors/readers/panelists who take pride in accomplishment are fun to watch. The bar for "skill" is very high.

I'm not terribly consistent, perhaps, and during a con my attention span may not be great. But bear with me.

I think that's why I'm a good photographer, to the extent that I good at the craft: I try to catch people when they're at their peak of "fun". Sometimes, I succeed. Over and above the technical quality of the photograph, the snapshot captures a moment when of the subject is having a peak experience. Or at least having a good time.

I tend to like comics who look like they're having fun. Oh, not necessarily those that crack themselves up, and I know that repeating a routine for the 12,003rd time means pasting a smile on your face. Still, I'd rather watch Robin Williams contort his face than Richard Belzer look like a lemon. That's my problem with Lenny Bruce: I admire his guts, but he always looks like he doesn't want to be there. Meanwhile, Steve Allen looks like he never wants to leave.

The flip side is that I also like deadpan. I can really appreciate Buster Keaton or Jack Benny as they observe the absurdity of life with a stone face.

Many authors have a different speaking style than their written "voice". Surely, up until the last century or so, most people didn't have the opportunity to hear anyone they didn't physically meet. Now, I can literally hear an author. Sometimes, this affects how I "hear" a written work. Not always, to be sure, but sometimes. And if I can "hear" someone having fun while typing, that adds a great dimension to the work. They probably don't do this deliberately; heck, I may just be making it all up for myself. So be it.

If I ever tie a Sweet Young Thing down for Nefarious Purposes, I'm not likely to use a cat o' nine tails. I'm likely to tickle them. I'll have fun. Maybe them too, if I do it right. Depends on the Nefarious Purpose.

This appears to be asymmetrical. It's easier for me to help someone have fun than it is for others to help me have fun. Maybe I'm overestimating other's enjoyment. Maybe I'm just a curmudgeon.

Among other things, I write comedy. I like to make people laugh. I'm a lousy audience: It's hard to make me laugh. Oh, I'm easily amused and I enjoy a good laugh. But sometimes, it's like pulling teeth. If you try too hard, it's not humor, it's a challenge. I'm my own best audience: My old stuff makes me laugh. Well, the good stuff, the writing/audio/pictures that are supposed to be funny, still amuse me.

Well, I hope you had fun reading this. If not: *virtual tickle*.

(no subject)

Date: 2009-01-30 10:10 pm (UTC)
From: [identity profile] freeimprov.livejournal.com
I think that's close to the quality I call "sincerity", which is my #1 with a bullet point most important quality I want to see in an artist. The technical skill of a performer/performance is far less important to me than knowing the performer's heart was fully engaged in the performance.

I think this is why I'm a little uncomfortable with performances aimed at entertaining the audience more than the performer. It's so, so easy to become insincere, to start playing what you think your audience wants to hear rather than what you want to play. But it's so very, very seductive to please an audience! When you find something that other people really want to hear, it's tempting to keep doing it, even if it becomes a bit boring to the performer.

This isn't to say that performances should happen in wanton disregard for the feelings and desires of the audience! That's an attitude I hear from a number of "art" performers, and I find it a little insulting. Playing crowd-pleasers can lead to an inflated ego, but so can contempt for the audience.

I feel lucky that I've been able to build up a little bit of a fan base while playing what I please (even if that fan base consists largely of my friends). But I also think that the only reason I HAVE fans is because they happen to like the same things I like.

Done right, an audience can make the performer even more sincere. That's where you get that wonderful audience-performer feedback loop going. One thing I love about playing with the Feng Shui Ninjas is we can get that going with our audiences. I've gotten much better at doing it solo, too. But yeah... it requires care.

(no subject)

Date: 2009-01-30 11:11 pm (UTC)
From: [identity profile] barondave.livejournal.com
Liking to make music is different than liking to perform. This is why recorded music is a different art form than live music. You probably know this...

(no subject)

Date: 2009-01-31 12:03 am (UTC)
From: [identity profile] freeimprov.livejournal.com
Actually, I think recording is different from both playing for yourself, and from live performance. It's an art unto itself. But when I'm recording, I'm definitely thinking about audience, as much as I am when I'm playing onstage. So in that way, I think recording is more like live performance than playing at home for me.

There's also playing alone versus playing in a band (or otherwise simultaneously with other musicians).

(no subject)

Date: 2009-01-30 10:30 pm (UTC)
aedifica: Me with my hair as it is in 2020: long, with blue tips (Default)
From: [personal profile] aedifica
Well, I hope you had fun reading this. If not: *virtual tickle*.

If I didn't have fun, you'll punish me? Um. I *don't* like being tickled. I may laugh, but it's not happy laughter.

But I did enjoy the post, so I'm safe.

(no subject)

Date: 2009-01-30 11:12 pm (UTC)

(no subject)

Date: 2009-02-02 09:23 am (UTC)
sunshinenilkcub: Selfie with Nate February 2019 (Default)
From: [personal profile] sunshinenilkcub
I enjoyed reading it. I kind of skimmed over postings before I left for the weekend and kind of read this one a bit more thoroughly so it gave me something to ponder over the weekend: mostly about the bits about liking to make people laugh and enjoying watching people have fun. Thanks for posting it.

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