Mini Review: The White Album
Mar. 16th, 2006 04:12 pmHacking away at the large pile of unlistened to CDs and smaller but still daunting pile of CDs to be entered into the Individual Song Database, I finally bit the bullet and entered The White Album, aka The Beatles. I hadn't needed to enter the double CD set before since I was very familiar with the songs, but formally entering them into my system meant a close listen with headphones.
What a great album! The ninth best selling album of all time in the US is near the top of several Music of the Millenium lists. Some of the all-time best songs by one of the all-time best musical groups. While My Guitar Gently Weeps has long been one of my two favorite Beatles songs (the other being Eleanor Rigby) but I had to also give my highest rating to: Dear Prudence, Ob-La-Di, Ob-La-Da, Piggies (how can anyone live without hearing Piggies now and again?) and Rocky Raccoon.
But you knew that. What really prompted a LiveJournal entry was Revolution 9. It's a very famous song that almost everyone recognizes from Ringo singing, "number nine, number nine, number nine..." but almost no one could tell you anything else about. I don't think I've heard the entire 8:13 since... well, I'm tempted to say ever but I'm sure I made it through the whole thing at least once in college. Certainly, it's not a song in the traditional sense. On the other hand, it is a very early example of what's all-too-common now: Sampling. Revolution 9 doesn't have a plot (that I can discern) but the bits and pieces are edited exceptionally smoothly. This was quite a feat in 1968, when the Killer App was... stereo.
The first two Beatles albums were released in Mono (in the US). One of the reasons The Firesign Theatre made such a splash was their innovative use of stereo. By 1968, the year The White Album came out, stereo was no longer cutting edge but was still a new toy for producers to play with. Indeed, The White Album was released in mono in Britain (along with a stereo release). Revolution 9 uses stereo very nicely; that it still holds up as a piece of engineered sampling nearly 40 years later is testament to George Martin, the Producer.
I will unhesitantly recommend The White Album for anyone. I don't necessarily recommend that you listen to all of Revolution 9 more than once every 30 years or so...
Okay, you can all go back to doing what you were doing.
What a great album! The ninth best selling album of all time in the US is near the top of several Music of the Millenium lists. Some of the all-time best songs by one of the all-time best musical groups. While My Guitar Gently Weeps has long been one of my two favorite Beatles songs (the other being Eleanor Rigby) but I had to also give my highest rating to: Dear Prudence, Ob-La-Di, Ob-La-Da, Piggies (how can anyone live without hearing Piggies now and again?) and Rocky Raccoon.
But you knew that. What really prompted a LiveJournal entry was Revolution 9. It's a very famous song that almost everyone recognizes from Ringo singing, "number nine, number nine, number nine..." but almost no one could tell you anything else about. I don't think I've heard the entire 8:13 since... well, I'm tempted to say ever but I'm sure I made it through the whole thing at least once in college. Certainly, it's not a song in the traditional sense. On the other hand, it is a very early example of what's all-too-common now: Sampling. Revolution 9 doesn't have a plot (that I can discern) but the bits and pieces are edited exceptionally smoothly. This was quite a feat in 1968, when the Killer App was... stereo.
The first two Beatles albums were released in Mono (in the US). One of the reasons The Firesign Theatre made such a splash was their innovative use of stereo. By 1968, the year The White Album came out, stereo was no longer cutting edge but was still a new toy for producers to play with. Indeed, The White Album was released in mono in Britain (along with a stereo release). Revolution 9 uses stereo very nicely; that it still holds up as a piece of engineered sampling nearly 40 years later is testament to George Martin, the Producer.
I will unhesitantly recommend The White Album for anyone. I don't necessarily recommend that you listen to all of Revolution 9 more than once every 30 years or so...
Okay, you can all go back to doing what you were doing.
The white album
Date: 2006-03-16 11:02 pm (UTC)By the way, I've got a question for you. I assume you're acquainted with at least a few of the other people who have Fresh Air radio shows. Is there someone there who plays a lot of local music, to whom Louie and I could and should give a promo copy of either or both of my CD's (or the Howard Ashby Kranz CD, for that matter)? Please let me know.
Nate
Re: The white album
Date: 2006-03-16 11:24 pm (UTC)Re KFAI: Many shows promote local music. The most appropriate one for you I can think of offhand is Pam K, of the group Switched At Birth who does a program called Stone Soup.
More specifically, you should call or e-mail Dan Richmond (mailto:richmond@kfai.org) the Program Director and ask him where to send a copy. Feel free to drop my name. He'll probably say just send it to him for inclusion in the KFAI record library, but you could also ask about specific shows. Include a cover letter so the person filing the CD can place it in the proper category in the Library. His #: 612-341-3144 ext 20. (All this info is from the kfai.org web site, so I don't mind putting it in LJ.)
Re: The white album
Date: 2006-03-16 11:34 pm (UTC)Re: The white album
Date: 2006-03-17 12:09 am (UTC)It really is an amazing collection of songs...it's all over the place musically, and I find it a bit hard to listen to in one sitting. But there's so many different styles and so many cool arrangements and a mix of catchy stuff and experimental stuff and stuff that's both...
-=ShoEboX=-
Re: The white album
Date: 2006-03-17 12:45 am (UTC)